A little lighting experiment today, looking at a hard key light (bare flash, top picture), on-axis fill (shoot through brolly, middle picture) and the combination of the two (bottom picture). All other settings kept equal. The idea is to keep the detail of the hard light, but soften the shadows it creates. Thanks to my model for the day, Poppy the horse.
Once again, I missed a day. Back on track now!
Showing posts with label soft light. Show all posts
Showing posts with label soft light. Show all posts
Tuesday, 11 May 2010
Sunday, 17 January 2010
Day 13
I wasn't struck by any great inspiration on the 13th. I was stuck at home as someone (actually two people in separate incidents) crashed into my car in the ice. Rather than posting a photo taken for the insurance company of my car crushed against a stone wall I decided to have a play with looking at hard and soft light.
Both photos taken using the Sigma 530 DG Super on a light stand. The first used a shoot through umbrella and the second was a bare flash. Things to note are the shadows, particularly the transition from shadow to light, and the specular highlights along the edge of the blocks and on the little blue driver.
Another thing I noted was the drop in power when using the shoot through. I probably loose about two stops of light with the umbrella. It's also worth thinking about where all that extra light goes. Not a problem if I was shooting outside or in a big studio, but in my front room that light is just bouncing off the walls, softening the shot even further.
Both photos taken using the Sigma 530 DG Super on a light stand. The first used a shoot through umbrella and the second was a bare flash. Things to note are the shadows, particularly the transition from shadow to light, and the specular highlights along the edge of the blocks and on the little blue driver.
Another thing I noted was the drop in power when using the shoot through. I probably loose about two stops of light with the umbrella. It's also worth thinking about where all that extra light goes. Not a problem if I was shooting outside or in a big studio, but in my front room that light is just bouncing off the walls, softening the shot even further.
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